I like the eye catches in this portrait.

These two work well because facial expression and movement are natural. I captured them as she was preparing a pose.

I composed these images for a specialist studio brief. I used layered warm toned, voile fabric to create a soft, textured barrier and had my model pose behind them. I was pleased with the bodily curves and skin tones.

These are my final images for a specialist location brief. I decided to to produce images based around autumn and winter, rural landscape. I used my Canon 40D camera and a tripod. The images were taken around Hurst Wood, Burnley and Aysgarth, North Yorkshire. I choose the three strongest images from each season and created a triptych for each.